May 23, 2013
By Alan Helms | May 23
Boston, Wang Theatre, May 18, 2013
By Alan Helms | May 23
Coppélia, Boston, Boston Opera House, May 16, 2013
By Jules Becker | May 15
Monday night's 31st annual Elliot Norton Awards at the Paramount Center began with an exuberant medley from "Avenue Q," starting with the humorous "It Sucks to Be Me." By contrast, the evening proved very serendipitous for the Lyric Stage Company of Boston's very snappy revival of the puppet-rich Tony Award winning musical.
By Alan Helms | May 9
Mikko Nissinen, artistic director of Boston Ballet, has once again shown his flair for programming in the production titled Chroma which opened May 2 at the Boston Opera House.
By Jules Becker | May 8
Can killings like those at Columbine and Sandy Hook be prevented?
By Jules Becker | May 2
Keeping the classics fresh onstage is a Herculean labor.
By Jules Becker | Apr 25
Hub Theater is as edgy and varied as ever as April closes. From a taut revival of a Patrick Marber play and a fresh look at Thornton Wilder shorts to a bar--set New England premiere and two provocative new works, local theatergoers have a rich diversity of choices. Particular gratifying is the talent on view even when the offerings prove slight or uneven.
By | Apr 25
Matthew Lombardo knows all about addiction...
By | Apr 17
Four Boston journalists who have each covered Ryan Landry for more than a decade will take part in a panel discussion about the playwright and producer's career, works, and unique form of satire at the Huntington Theatre Company's Humanities Forum on Sunday, April 21.
By Scott Kearnan | Apr 10
After 13 years, colorful cabaret Fresh Fruit Productions says the time is ripe to say goodbye